La influencia de Eurípides en el teatro de Federico García Lorca
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2024-10-30
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En este Trabajo Final de Grado se va a presentar un estudio sobre la influencia de uno de los grandes poetas griegos de la antigüedad grecolatina, llamado Eurípides, concretamente en el teatro de uno de los grandes poetas del siglo XX español, como es Federico García Lorca. Para esta comparación se tendrán en cuenta las tres obras por excelencia de la tragedia lorquiana: Yerma, Bodas de sangre y La casa de Bernarda Alba, considerada esa última como drama, según el propio autor. A raíz de una lectura plenamente filológica y comparativa, se expondrán cada una de ellas en cuanto a la importancia de la actuación de sus personajes principales, a la relación que prevalezca en las características de los personajes utilizados por Eurípides y, finalmente, a las principales muestras claras de influencia teatral clásica de este griego recogidas en las obras mencionadas.
This Final Degree Project will present a study on the influence of one of the great Greek poets of Greco-Roman antiquity, Euripides, specifically on the theater of one of the great Spanish poets of the 20th century, Federico García Lorca. For this comparison, the three quintessential works of Lorca's tragedy will be considered: Yerma, Blood Wedding, and The House of Bernarda Alba, the latter considered a drama by the author himself. As a result of a fully philological and comparative reading, each of them will be presented in terms of the importance of the actions of their main characters, the relationship that prevails in the characteristics of the characters used by Euripides and, finally, the main clear examples of classical theatrical influence of this Greek collected in the works mentioned.
This Final Degree Project will present a study on the influence of one of the great Greek poets of Greco-Roman antiquity, Euripides, specifically on the theater of one of the great Spanish poets of the 20th century, Federico García Lorca. For this comparison, the three quintessential works of Lorca's tragedy will be considered: Yerma, Blood Wedding, and The House of Bernarda Alba, the latter considered a drama by the author himself. As a result of a fully philological and comparative reading, each of them will be presented in terms of the importance of the actions of their main characters, the relationship that prevails in the characteristics of the characters used by Euripides and, finally, the main clear examples of classical theatrical influence of this Greek collected in the works mentioned.